Conceptual Artist Isa Genzken Brings a Crowd to MoMA—Dressed in Her Own Leather Pants
The exhibition marks Genzken's first retrospective stateside, presented with support from Celine. (Creative director Phoebe Philo is a huge Genzken fan, and flew to New York to toast the opening with a party.) "It's past time," says MoMA curator Laura Hoptman. "It's a goldmine of innovative work by a strong woman artist that had never been seen in the United States. It was kind of a curator's dream." Indeed, visitors unfamiliar with Genzken who, now 65, has been producing art for the past forty years, are given much to explore, from the artist's minimal wooden Ellipsoids to her unsettling found-object sculptures to her imposing comments on metropolitan architecture.
"Genzken has a broad brush. She's moved from one language to another with alacrity," says Hoptman. "There's a seamlessness to how she looks at how we live every day—the junk we see on Canal Street, the construction sites, the cool clothes, the beat of techno music—that's embedded in this very lofty ideal of what culture is. For me, that is the future of contemporary culture—it's high, low, and everything in between. She's very much a banner woman for that."
Here, Hoptman shares her thoughts on a few of the highlights from the show.
Isa Genzken: Retrospective runs through March 10 at the Museum of Modern Art, moma.org.
POST: 2024-05-19
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