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However ZUCZUG like elements, much like architects pay more attention to not stress the use of material qualities of whitewash on the structure of treatment is very atmospheric as architects and construction using attribute-oriented functional changes in the structure of each space are not redundant, and brand names are out of step I do not know Wang's Apparel Brand you can continue to inherit! Wang Yiyang Resume: Graduated 1992, Donghua University clothing, the same year, taught there; 1997 - 2001 Ren Yifei, chief designer brand clothing Layefe; in 2002, the creation of ZUCZUG brand; Wang Yang said: relative "fashion" is concerned, I prefer the "clothing" that word. If you do not do fashion designer, an architect I want to do. Cut and fabric for a dress, is not such as designer clothes and people on the views of the relationship between the more important. Fashion is easy to be the last time, corresponding to a "building" the word. The clothes are not, corresponding to a "house." "Fashionable" is the surface energy, and "fashion" is very essential. Discuss the size of a cutting element to create state of the clothes I design, cut mainly in size, proportion of relatively more concern to grasp, for structural change and did not reflect a lot. Japanese designers in the structure of treatment would be more strange, striking, but I think my strength is not here. I would like to express Tianran clothes breath free and easy, which is a kind of temperament does not rely entirely on the cutting structure can be reached, so the structure of the deal is not the focus of my clothes while I think the cut should not be very complicated. I also note that the size, proportion, size of the Chinese people's clothes is very important. Take Yohji Yamamoto, he likes large size, Everything is oversize. Can say: size to create the state. Find Chinese dress size I usually have more clothes conscious attention to the size and shape. The recent interest in dressing the elderly, because their dress and dressing habits more extension of the traditional Chinese. I have been looking for Chinese clothing size, it is very important. Yohji Yamamoto's oversized dimensions from Japan's traditional clothing, but I always hope to find the most suitable size of the Chinese people's clothes, design the most appropriate Chinese people's clothes. Fashion designers are faced with a problem: it seems that only the West and Japan cut is the real cutting. In fact, this relates to the attitude of the cutting, especially designed for students to learn. Must be aware There are also other things - Although I'm not that what is certain, but certainly exist. Many people have been confined to a single judge of such standards, it is surprising is that young designers in the West but is common in their innovation and independence is clearly not enough. For the Westerners, very mysterious oriental culture, they have no confidence in front of this culture. Eastern way of cutting the proportion and size to the West brought a new look not only formal but also a cultural shock. However, the so-called "Oriental cutting approach" seems to have exhausted the Japanese designer. The difference is: the Western way is the scalpel-like cutting destructive cut, will cut into many small piece of material to conduct precision stitching; the east cut is uncertain. One of the Japanese designer's contribution to a kind of new approach to bring the West, in this concept, on the Chinese designers, tailoring language more is a problem, really established the independence of the Chinese crop is not easy. In fact, the Oriental style and way of cutting, the Chinese designers should itself have. Cutting is a traditional Chinese-style flat cut, which should be the body structure of the Chinese race, many associated with flat (cut manner, habits and physical structure is very different race relations). So now I have consciously cut way to do with China's clothing. Earlier it always wanted to do clothes, "fashionable", done as one master - back to, you may have experienced as a stage, before they can reach the current state. But now that the West may not be 100 percent for Asians cutting, which may not only physical structural problems, with the ethnic flavor and temperament are also closely linked. Suzhou old building that inspired me. I have visited Suzhou, an old one, where the size of each family's land inherited from ancestors, after all has not changed, but the building materials have changed, their houses are now used in modern construction materials, of course, reasonable to say that there should be no times before the house was beautiful - but still feel that architectural beauty, this is the scale of the decisive role. Second, I also do not pay attention to fabric material, but there is a fundamental requirement: Quality. Texture feel is the most important. I like the fabric is actually two kinds of natural, such as wool and cotton; non-natural, such as nylon - these two are the two extremes of the material. In fact, I reiterate, designer of the most important was his idea, cut and fabric are very minor compared with this. Three artists with the same color, different periods like the different colors, but the favorite is blue. Some colors are never out of date, which is my favorite color.